| The sound of a Harmony carillon bell, having a strike-note pitch around 500 Hz (B4). Is synthesized in eight
steps by adding successive partials with their original freqency, phase and temporal envelope. The partials
added in successive steps are: |
The sound of a guitar tone with a fundamental frequency of 251 Hz is analyzed and resynthesized in a similar manner.
The partials added in successive steps are: |
|||
![]() |
![]() |
|||
![]() |
Hum note (251 Hz) |
![]() |
Fundamental |
|
![]() |
![]() |
|||
Prime or Fundamental (501 Hz) |
2nd harmonic |
|||
Minor Third and Fifth (603, 750 Hz) |
3rd harmonic |
|||
Octave or Nominal (1005 Hz) |
4th harmonic |
|||
Duodecime or Twelfth (1506 Hz) |
5th and 6th harmonics |
|||
Upper Octave (2083 Hz) |
7th and 8th harmonics |
|||
Next two partials (2421, 2721 Hz) |
9th, 10th and 11th harmonics |
|||
Remainder of partials |
Remainder of partials |
|||